I had the pleasure of attending a professional wine tasting earlier this week, and again I remembered Esteemed Colleague's words at Ye Olde Wine Shoppe, ever so long ago. He's the one who had already logged thirty plus years in the industry, retail, wholesale, and crush level, -- the man who had tasted Chateau Petrus before only big-game-hunting orthodontists could afford it, the one who remembered a time before wine "certifications," almost before sommeliers even. He said:
"Folks. Please. It's just wine."
The world is awash in so much wine, it is so soundly made and it may be had so cheaply -- I say it
may be had cheaply -- that, when we professionals sit down to "taste and see" as the hymn goes, I can't help noticing that the afternoon quickly becomes a fairly amusing psychological study. Even though we are happily tasting far more than good, sound-but-cheap bottles, there really is very little to be said about them once a half-dozen or so adjectives are used up. The wines will have tannin and acid, fruit and alcohol, and it is salutary to be able to recognize all these. It's nice also to be able to recognize that climate and soil both matter: cool growing areas generally make lighter wines and hot climates make plusher ones, and grape vines prosper in difficult, rocky soil. (Not forgetting something I only just learned from the interwebs: since ancient times, man has had to compel grapes to prosper in poor soil because he needed the good earth for food crops.) Beyond these earthy basics, one can only offer pleasure judgments or food experience references entirely one's own; speedily we use up words like grippy or apple-y or pretty or whatever. My new favorite snark is to say "there's nothing under the hood."
What's left is the psychological fun. There is only
one's taste, mine or yours. I think that my perceptions of the wines on the list are exactly right, exactly reflecting what is chemically, physically in the bottle and what the winemaker would say he intended to put there if we had him by the short hairs. But, dear things, my [professional] fatheads -- are
you as confident of your perceptions?
We tasted pairs of reds, from California and France.
Ca'Momi Napa cabernet 2012 and
Fleur Haut Gaussens Bordeaux Superieur 2010
cedar box soap/no scent
acid! much less sugary-spicy
currant jelly much chalkier
-- clove -- cake acidic
purple "Classic vintage: cool summer, less fruit, restrained"
$18 $12
Frog's Leap Rutherford Merlot 2012 and
Chateau Pavie Maquin St. Emilion Grand Cru Classe
slightly green wood
slightly vanilla perfume wood (aroma)
very soft -- light bodied
slightly prickly -- silky
juicy, not sugary chewy -- slightly
light bodied -- a bit plain a bit plain
$37 $60
Sterling Napa Diamond Mountain Cabernet 2013 and
Chateau Larose Trintauden Medoc 2009
warm fuller
chocolate berries juicier
velvety dry dark fruit
soft tannin chewy
light acid
$20 $20
Mayacamas Mount Veeder 2009 and
Alter Ego de Palmer Margaux 2010
olives inky black
barnyard cola!
cherry candy chewy tannins
acid-prickly fruit
licorice, light tannin *at $90, this reaches Ca'Momi's level ($18!)
$80 $90
Stag's Leap Wine Cellars Cask 23, 2012 and
Chateau Ducru Beaucaillou St. Julien 2011
burnt toast gentle cola
thick tannin elegant
deep deep baked fruit gentle tannin
pie crust gentle acid
$200 $130
Note how the California column boasts more vivid descriptors, and more of them, than the French column. I'm sure
I'm right about it all, but I suspect my [professional] fathead/colleagues lack confidence in
their ideas, because the silence, the abashed looks, and the hurried yet limp agreement as soon as anyone says anything about the red liquid in the glass, is all so obvious. Everyone still, still -- and I noticed this even at Ye Olde Wine Shoppe, ever so long ago --
everyone wants to be perceived as having innate, classy, yet malleable and un-snobby taste. We can spot a stereotype, delightfully untrue to form; we can spot a stereotypical disappointment, this time delightfully good. We want to recognize the king instantly and yet be respectful of the peasant. But who knows whether one can?
I suppose all this explains why there are blind tastings. It's informative to eliminate at least one trigger of prejudice or anxiety -- namely, the identity of the wine -- from what should be a simple evaluative process. Better yet, a parlor game.
Of course when it comes to speaking up confidently, I'm as big a fathead as anyone. Scribble my notes and arrange them in columns as freely as I may, do you think I told a soul that "it took a $90 Bordeaux to reach the quality level of an $18 Napa cabernet?" Certainly not. What if I'm wrong? Do you think I told a soul that the two paired merlots, each first class and each bearing a hefty price tag, struck me as interchangeably dull? Certainly, no. Did I throw in a mention of Michael Broadbent and his "global red"? No. And as for the next-to-last sample of the day, the legendary Stag's Leap Cask 23, do you think I raised hell at the pronouncement that "this isn't at all the jammy California fruit bomb we'd expect, is it"?
Of course it was, I wanted to raise hell. More than a fruit bomb, it was a Hostess frosted-fruit-pie bomb. I'll bet its residual sugars stand at Apothic Red levels, and I would pair it with no food at all. Too overwhelming. This is a cocktail, and a safe, legendary label to tuck beneath the Christmas tree for your orthodontist father-in-law who Knows a Lot About Wine.
There. "Folks. Please ...." I didn't say that either. But I'm sure I'm right.
Image from foros.vogue.es